Eddie Cantor meets Jolson

12 04 2010

from “Take My Life”, by Eddie Cantor (1957)

While I was still a stooge for Bedini and Arthur, still rushing around backstage at Hammerstein’s taking suits out to be pressed or seeing that Jean Bedini’s laundry was back on time- a fellow in blackface wandered onto the stage one day. He was from Lew Dockstader’s Minstrels. Now he was doing a single and there was something electric about him that sent a thrill up your spine. He sang and talked; but he was more than just a singer or an actor, he was an experience, and he was to become the most romantic figure of a romantic era, the King of it. Al Jolson. Read the rest of this entry »





Jerry Lewis in the “Jazz Singer”

12 04 2010

From “Life with Father” by Krin Grabbard (in Enfant Terrible!: Jerry Lewis in American Film By Murray Pomerance)

The narrative of father-son tension was undoubtedly what attracted Lewis to the original Jazz Singer. As in all versions, Lewis’s rendering of the story does not confront anti-Semitism. The only problem remaining to face a Jewish entertainer is opposition from is father, thus placing even more weight on the oedipal narrative. But in Lewis’s version, little else remains from the original or even from the various remakes. Read the rest of this entry »





Jack Benny dedicates Jolson’s memorial

1 04 2010

from Jack Benny, , by Mary Livingstone Benny, 1978

On September 23, 1951, when, according to Jewish tradition, the monument–a magnificent statue of Al, bending on one knee, exactly the way he performed when he sang “Mammy”–was formally unveiled, it was Jack who delivered the memorial address:

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Show Business to Korea’s Front Lines

4 03 2010
Jolson visiting a Tokyo hospital

 

 

 

 

 

 

Jolson, other names want to work in Korea

Billboard, August 12th 1950.

HOLLYWOOD, Aug. 5. — With the intensification of the Korean crisis, showbiz here is girding for battle. Names and various orgs devoted to entertaining the troops during the last war are either resuming their previous operations or are ready to go into action on a call from Washington. Al Jolson, one of the first personalities to hit the fighting front in World War Two, has volunteered to entertain armed forces in Korea. Read the rest of this entry »





Sneak Preview

27 02 2010

February 27, 2009 – May 9, 2009 albumcover

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“The Jazz Singer” Opening review

26 02 2010

The Jazz Singer movie premier

New York Times
October 7, 1927

By MORDAUNT HALL.

Published: October 7, 1927. In a story that is very much like that of his own life, Al Jolson at Warners’ Theatre last night made his screen début in the picturization of Samson Raphaelson’s play “The Jazz Singer,” and through the interpolation of the Vitaphone and the audience had the rare opportunity of hearing Mr. Jolson sing several of his own songs and also render most effectively the Jewish hymn “Kol Nidre.”

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The spirit of Larry Parks

19 02 2010

Taken from Monthly Review online magazine, “MRZine”  Feb. 19, 2010

Parks was called to testify before HUAC on March 21, 1951, not long after attaining stardom in two biopics about Al Jolson.  Parks told the congressional Committee: “Being a member of the Communist Party fulfilled certain needs of a young man who was . . . idealistic . . . for the underprivileged, the underdog.” Read the rest of this entry »





How I Came to Write “The Jazz Singer”

16 02 2010

Samson Raphaelson

How I Came to Write “The Jazz Singer,”   By Samson Raphaelson
from the original Souvenir Program  of “The Jazz Singer”

When I was a junior at the University of Illinois, it became very necessary that I should impress a certain young lady. I had a date with her for a certain evening. I wanted to show her the best time to be had in the town of Champaign, Illinois. I borrowed ten dollars and bought two tickets for the one-night performance of Al Jolson in “Robinson Crusoe Jr.” Read the rest of this entry »





Jolson’s last starring role

6 01 2010
Busby Berkeley directing  a scene with Sybil Jason
(photo of Busby Berkeley directing – click to enlarge)
Excerpt from the biography by Edward Jablonski:
Harold Arlen: Rhythm, Rainbows, and Blues (1998)

Around the same time Arlen took his camera to a location shoot of “The Singing Kid” in nearby Franklin Canyon on a misty, coolish morning. Anya, not in this film, wore a heavy coat with a stylish fluffy white fur collar. Her companion was equally modish in an overcoat and scarf, no hat. He carried a pipe and sported a neat mustache. The proletarian Harburg came simply in slacks, sweater, and sport jacket. They waited for the filming, under the director William Keighley, to begin, comfortably seated on a pier near a small lake; there was a small upright piano on the pier.

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Radio Days

15 03 2009

jolsonandbing

The Jolson Story:
Al’s Success in Radio Adds New Luster to Career of Master Minstrel”
New York Times, April 13, 1947

By Jack Gould

The season of 1946-47 may yet become known as the year of the “comeback.” Back last fall Jack Benny confounded the pundits of Radio Row by climbing up again to the top of the comedy brackets. Now, as the formal program semester nears a close, another veteran showman, Al Jolson, has caught the public’s fancy anew.

Al is, as the saying goes, as “hot” as anything on the dial at the moment. His guest appearances with Bing Crosby and Eddie Cantor stimulated mightily the usual ratings of those worthies and last Monday night he gave an added fillip to the Radio Theatre’s star-studded production of “Alexander’s Ragtime Band,” not to mention the Bob Hope show on Tuesday.
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Robert Benchley

14 05 2008

photo from www.natbenchley.com

Robert Benchley, writing in “Life Magazine,” captured Jolson’s unique effect on audiences: “The word ‘personality’ isn’t quite strong enough for the thing that Jolson has. Unimpressive as the comparison may be to Mr. Jolson, we should say that John the Baptist was the last man to have such power. There is something supernatural at the back of it, or we miss our guess. When Jolson enters, it is as if an electric current has been run along the wires under the seats where the hats are stuck. The house comes to a tumultuous attention. He speaks, rolls his eyes, compresses his lips, and it is all over. You are a member of the Al Jolson Association. He trembles his lip and your heart breaks with a snap. He sings a song and you totter out to send a letter to your mother…while singing would run up and down his runway addressing members of the audience making them each feel that Jolson was singing to them alone.”








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