Variety reviews The Jazz Singer, 1927

29 04 2012

Variety, October 12, 1927.
Undoubtedly the best thing Vitaphone has ever put on the screen. The combination of the religious heart interest story and Jolson’s singing “Kol Nidre” in a synagog while his father is dying and two “Mammy” lyrics as his mother stands in the wings of the theatre, and later as she sits in the first row, carries abundant power and appeal. Besides which the finish of the “Mammy” melody (the one that goes “The sun shines east, the sun shines west” is also the end of the picture with Jolson supposedly on a stage and a closeup on the screen as his voice pours through the amplifiers. Read the rest of this entry »





“Rock-a-Bye” helps Jerry Lewis become a singer

24 03 2012


From Dean and Me, by Jerry Lewis (2005)

Back in July, as things were winding to a close with us, Dean turned down the lead in Warner Brothers’ movie version of “The Pajama Game.” We didn’t speak about it—we weren’t speaking about anything at the time. . . .

Regardless of the press, I was panicked: I felt incredibly alone and desperate. The fact that everyone around me seemed sure that I’d land on my feet made things worse. I didn’t know what the fuck I was going to do. Read the rest of this entry »





Al Jolson Dies: Oct. 23, 1950

5 12 2011

New York Times cover story

New York Times, Oct. 23, 1950

Al Jolson, “The Jazz Singer,” died at the St. Francis Hotel here tonight. He had recently returned from Korea after entertaining troops there.

Death came just after 10:30 P.M. (PST) as Mr. Jolson was playing cards in his room with friends. He was in San Francisco to be the guest star on the Bing Crosby radio program scheduled to be recorded Tuesday night.

Mr. Jolson checked in at the St. Francis today. He was playing gin rummy with Martin Fried, his arranger and accompanist, and Harry Akst, songwriter and long-time friend. Read the rest of this entry »





“Blue Skies” transforms film industry

23 11 2011


 
 
 
 

Excerpts from The Songs of Hollywood  By Philip Furia

“Blue Skies” thus resonates with the dramatic moment in “The Jazz Singer” when Jolson, after many years of missing his beloved mother, is reunited with her. Before he sings, the scene is silent. Jolson enters his parents’ apartment, surprising his mother, and we see his father giving Hebrew lessons in another room. After a few moments of title-card dialogue, Jolson offers to demonstrate one of the songs in his new Broadway show. As synchronized sound comes up again, Jolson strides to the parlor piano and launches into “Blue Skies.” While he renders the song as a performance, his hammy, flourishing rendition portrays him as a kid showing off for his mother.

Read the rest of this entry »





“You Ain’t Heard Nothin’ Yet”

15 08 2011

Opening night of "The Jolson Story"

A New Jewy? America since the Second World War
By Peter Y. Medding, Oxford University Press, 1992

While Einstein was based in Zurich, formulating in abstract mathematical terms the notion that energy consisted of mc², he might have easily discovered its most ebullient embodiment dominating the vaudeville circuit across the Atlantic. Perhaps no white entertainer in American history has ever exuded the demonic razzle-dazzle and the kinetic force of Al Jolson; probably no one could match his Eureka gift for deluding everybody in the audience into believing that “Rock-a-Bye Your Baby With A Dixie Melody” or “Sonny Boy” was being belted out just for them. Read the rest of this entry »





“Rose of Washington Square”

25 03 2011


 
 
 
 

Twentieth Century-Fox Strolls Down Melody Lane in ‘Rose of Washington Square,’ at the Roxy

New York Times
By Frank Nugent
Published: May 6, 1939

Twentieth Century-Fox’s latest tour down Melody Lane has come to the Roxy under the blushing title “Rose of Washington Square,” the Rose being neither Al Jolson nor Tyrone Power (as we had feared), but Alice Faye, who flowers lushly in the cabarets and flounces of the post-war years. Obviously designed as a thematic sequel to “Alexander’s Ragtime Band,” the picture makes much the same capital of its sentimentally evocative score, its nostalgic reminders of the speakeasy era, its delicate reminder that the Nineteen Twenties already have become a “costume period.” Read the rest of this entry »





“The Jolson Story” opening review

1 03 2011

 

 

 

Liberty, October 19, 1946

A perfect tribute to Al Jolson, this movie is as schmaltzy, spirited, and unforgettable as the singer himself. It affectionately traces Jolson’s tune-packed, knee-bending fifty years in show business.

With Larry Parks catching the Mammy singer’s eye-rolling exuberance in a bang-up impersonation, the film highlights in Technicolor such Jolson lore as his bouncy blackface routines, his one-man shows at Broadway’s Winter Garden, and his pioneering in talking pictures. Read the rest of this entry »








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